The Criterion Collection
Oct 7, 2022 — This underappreciated 1968 film is a feast of dark delights, filled with vengeful ghosts, psychically linked identical twins, obsessed mad scientists, creepy priests, and seemingly sentient skeletons.
Features
Mar 11, 2022 — Deep Dives There’s an entire realm of children’s entertainment that survives mostly on the margins of collective consciousness. The average person is unlikely to know Michael Sporn’s name, but if they are of a certain age, they almost certainly have...
The Daily
Mar 7, 2022 — Maggie Gyllenhaal’s first feature as a writer and director wins three top prizes—and praise from novelist Elena Ferrante
Feb 9, 2022 — The Learning Tree may have been Gordon Parks’s first feature film as a director, but by the time filming began in the fall of 1968, Parks already had almost three decades of experience behind a camera. In 1940, the self-taught...
Essays
Jan 25, 2022 — A Victorian-era tale of self-discovery, Jane Campion’s Palme d’Or winner exults in the thrill of female rebellion.
Criterion Designs
Jan 21, 2022 — When I received the email asking me to work on the cover art for the Criterion Collection edition of Citizen Kane, my emotions quickly went from pure joy to complete dread. What can be done for a film of this...
Essays
Jan 18, 2022 — Garrett Bradley warped the clock. In her masterwork Time (2020), the present is the past is the future—which is to say, the lie of linearity gets emptied. Virginia Woolf comes up, when I think of artists who have comparably seized...
Nov 2, 2021 — Federico Fellini’s earliest masterpiece is a story of despair and optimism, cruelty and salvation, that occasioned the director’s ascent to stardom.
Sep 23, 2021 — Gina Prince-Bythewood’s iconic debut portrays Black love without forcing its heroine to compromise herself and her ambitions.