The Criterion Collection
Jun 20, 2023 — Two young San Francisco residents navigate the potential for romance and their opposing views on race in Barry Jenkins’s moving debut feature.
The Daily
Jun 6, 2023 — The Hungarian filmmaker will give introductions and take questions during retrospectives hosted by the American Cinematheque and Film at Lincoln Center.
Essays
May 30, 2023 — Seamlessly blending an array of cinematic traditions, Thelma & Louise is more than anything a western—one that takes advantage of the genre’s elasticity and reflects its preoccupation with justice, liberty, and self-determination.
Essays
May 30, 2023 — What makes Thelma & Louise truly a film for women, despite the fact that it was directed by a man, are its stars, Geena Davis and Susan Sarandon, who imbue their iconic performances with tender, unwavering specificity.
The Daily
May 26, 2023 — This year saw the return of Michel Gondry, a strong showing from New York, and a bittersweet love story from Georgia.
May 25, 2023 — One of the first hit movies made by an Asian American team, They Call Me Bruce confronts everyday racism with irreverent humor emblematic of its era.
Essays
May 16, 2023 — Inspired by golden-age monster movies and the story of a real-life mass murderer, Peter Bogdanovich’s debut feature evokes the psychic dread of America in the 1960s, a decade defined by long-distance and increasingly high-profile gun violence.
The Daily
May 10, 2023 — The critic and memoirist expands on her 2017 essay “What Do We Do with the Art of Monstrous Men?”
The Daily
May 3, 2023 — The third edition of New York’s festival of experimental documentary and avant-garde film is on through Sunday.