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Two to One

Jul 13, 2022 Martin Scorsese’s long-gestating boxing opus—one of the last films on which he enjoyed unequivocal studio support—emerged from a Hollywood in transition.

Jun 1, 2022 With his love of dissonance and bold use of dramatic motifs, the Hungarian-born composer Miklós Rózsa popularized a whole new style of film music.

Apr 26, 2022 In the opening moments of Arie and Chuko Esiri’s Eyimofe (This Is My Desire) (2020), we first hear—the ceaseless hum of machines at work—and then see: a jumble of multicolored wires. The 16 mm film image is grainy, trembling ever...

Mar 7, 2022 Maggie Gyllenhaal’s first feature as a writer and director wins three top prizes—and praise from novelist Elena Ferrante

Hope and Gratitude

The Daily

Jan 3, 2022 Both as an art and a business, cinema faces serious challenges, but the past year offers reasons for optimism.

Oct 26, 2021 Considered his first directly political film, Satyajit Ray’s 1960 masterpiece explores how the denial of self-knowledge, a void neither religion nor Western rationalism can fill, takes a toll on women in Indian society.

Jul 29, 2021 As André Bazin put it, Marker created “a new and modern reality based as much on language and words as on the power of the image.”

Jul 23, 2021 Deep Dives In later years, Buster Keaton referred to his signing of a contract with MGM as “the worst mistake of my career.” In 1928 it was purely a business decision. The last few films he had made for his own...

Jun 29, 2021 Here’s the latest on projects in the works from Lynne Ramsay, Walter Hill, David Fincher, Mia Hansen-Løve, and more.

Summer Programming

The Daily

Jun 17, 2021 On our minds this week: Lizzie Borden, Jenni Olson, Dorothy Arzner, Marguerite Duras, Jacques Rivette, and female detectives on television.

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