The Criterion Collection
Essays
Mar 15, 2004 — This Japanese classic’s guiding passion is hunger, and its central image—a gaping black hole in the earth—is that of an all-consuming maw.
Essays
Jan 15, 1996 — If Akira Kurosawa is the John Ford of Japanese samurai dramas, then director Kihachi Okamoto—a specialist in action films, with a particulat accent on violence and raw characterizations—is the samurai film’s Sam Fuller.
Essays
Apr 23, 1990 — Paying little attention to civilized rules of cinema, and with a bit more than one million dollars, Steven Soderbergh expresses all his hidden anxieties in this indie classic.
May 26, 2026 — Women’s hands dance over typewriter keys. The percussive racket they make, like the tapping of an unruly chorus line, takes the place of music during the opening credits of The Office Wife (1930), which appear over a montage of female...
The Daily
Oct 3, 2025 — Among them are the latest from Claire Denis, the return of Daniel Day-Lewis, and a dazzling restoration.
The Daily
Aug 22, 2025 — Hong Kong classics, the best of the 1970s, and a Chantal Akerman exhibition are among this week’s highlights.
The Daily
Jun 20, 2025 — Back on screens: Uli Edel, Charles Burnett, Jane Austen, Mikio Naruse, and Hiroshi Shimizu.
The Daily
Apr 29, 2025 — The festival of experimental cinema will spotlight Ashish Avikunthak and the late Kumar Shahani.
The Daily
Feb 11, 2025 — The Berlinale will screen several critical favorites fresh from their premieres at Sundance.
The Daily
Aug 2, 2024 — Along with the new Senses of Cinema, we’re reading interviews with Michael Roemer, Claire Denis, and M. Night Shyamalan.