The Criterion Collection
Essays
Apr 8, 2014 — In telling the story of the young outcast Antoine Doinel, François Truffaut was moving both backward and forward in time—recalling his own experience while forging a filmic language that would grow more sophisticated throughout the 1960s.
Production Notes
Mar 30, 2014 — 1. In 1964, Ingmar Bergman wrote a script for a film titled The Cannibals. It was to star Bibi Andersson, and included a small part for the up-and-coming Norwegian actress Liv Ullmann, but it was ultimately tabled when Bergman became very ill...
Mar 24, 2014 — Rome is as exquisite as it is suffocating in Paolo Sorrentino’s profound tale of contemporary entropy.
Mar 18, 2014 — In addition to technical brilliance and a humanist message, Akira Kurosawa’s adventure features one of the director’s strongest female characters.
Mar 17, 2014 — Errol Morris’s documentary investigation into the life and theories of Stephen Hawking sets one man against the universe.
Mar 11, 2014 — Presenting five poor, black and white North Carolina preteens as they awaken to love and death, George Washington (2000) tells a common adolescent story, yet the film is distinguished by the poetic, ruminative style of its twenty-five-year-old director, David Gordon...
Feb 28, 2014 — The Great Beauty, which is up for best foreign-language film at Sunday’s Academy Awards, feels at times like a glorious throwback to a time when art-house cinema reigned. Feeling nostalgic for that era, when films by the great directors of world...
Essays
Feb 28, 2014 — Other first films exude the sparkling joy of filmmaking that one feels in Breathless, but how many can boast its sure-handedness?
Feb 28, 2014 — Did You See This?• The history of Warner Bros. Pictures in logos • Mark Harris goes to war. • Steven Soderbergh does the Psycho mash. • Wes Anderson introduces his films, and Fantastic Mr. Fox inspires obsession. • Colin MacCabe...
Essays
Feb 27, 2014 — Roman Polanski’s film is a highly sophisticated adaptation of Thomas Hardy’s classic novel, in both its faithfulness and its divergences.