Jean-Pierre Melville’s Le silence de la mer is undoubtedly one of the most assured film debuts of all time; an adaptation of an underground novel by Jean Bruller, written (under the pseudonym Vercors) during the Nazi occupation of France, the film shows a director already at the height of his visual powers. As film scholar Ginette Vincendeau points out in this excerpt from a new interview on our release, much of the film's power comes from the cinematic devices Melville uses to communicate the darkness of the story, particularly in his portrayal of the central figure of a German officer who has been billeted in the home of a middle-aged Frenchman and his niece.
Why Swing Time Is the Greatest of All Dance Films
In this excerpt from an interview on our new edition of the Astaire-Rogers classic, dance critic Brian Seibert explains how beautifully and cleverly the film integrates dance into the structure of a romantic-comedy plot.
A Moody Meditation from the Set of Blue Velvet
In a rarely seen documentary about David Lynch’s 1986 masterpiece, the director and his star, Isabella Rossellini, give their candid impressions about the creative journey they’ve embarked on together.