The After

May 23, 2019 — Performances Those who have recently discovered Kim Minhee will know her as the magnetic actress in Park Chan-wook’s lascivious thriller The Handmaiden, in which she made the clinical act of tooth-filing a new form of eroticism, and in Hong Sangsoo’s...

Mar 18, 2019 — One Scene When Jia Zhangke made his 1997 feature debut, Xiao Wu, he was rebelling against decades of tradition that had drawn a hard line between cinema and reality. Chinese film history is rooted in genres found in classical theater...

Mar 14, 2019 — Repertory Picks Eighty years after its initial release, Jean Renoir’s The Rules of the Game is routinely named among the two or three greatest films ever made, and next Monday movie lovers in Brookline, Massachusetts, will get a chance to relish its...

Jan 18, 2019 — Dark Passages Getting old, in Hollywood, is at least a misfortune, if not a crime. But film noir had plenty of room for actors who looked the worse for wear, whose mileage showed on their faces, whose youth was less...

Nov 14, 2018 — He transformed a fledgling comic book publisher into a juggernaut brand.

Oct 18, 2018 — An autumnal round of reviews, excerpts, interviews, and news.

May 9, 2018 — 1. Born Arutin Sayadyan, eighteenth-century Armenian poet Sayat-Nova—whose pen name means “King of Songs”—served as the initial inspiration for The Color of Pomegranates. Sayat-Nova was an ashugh, a troubadour whose verses were set to music that he played on a...

Apr 5, 2018 — Locarno in Los Angeles, the series curated by Acropolis Cinema founder Jordan Cronk and co-artistic director Robert Koehler that brings a batch of the best films screened last summer at the increasingly vital Swiss festival, opens today and runs through...

Mar 23, 2018 — New York. The Film Society of Lincoln Center has rolled out the lineup for the fifth edition of Art of the Real, “an essential showcase for the most vital and innovative voices in nonfiction and hybrid filmmaking.” The series will...

Mar 12, 2018 — After Paula Prentiss, who’s recently turned eighty, had a nervous breakdown on the set of What’s New, Pussycat? (1965), she “didn’t turn up in another movie until Mike Nichols’s Catch-22 (1970), by which time Hollywood had changed to the point...