Witness

Jan 11, 1994 — A harrowing nightmare about life in inner-city hell, this 1993 sleeper-hit is a powerhouse filmmaking debut by the Hughes brothers.

Dec 1, 1986 — Don Siegel’s Invasion of the Body Snatchers (1956) is one cult film that has also won over the cultivated buff. As Peter Morris remarks (in his Dictionary of Films): “Though one of the subtlest films of the genre, containing little...

Aug 20, 2001 — I have known Torben Skjødt since 1983. His debut video Englefjæs—which I thought to be very accomplished—was presented during a film week in Silkeborg. A debut work, yes, but made with a self-assured maturity by a self-taught creator of images....

Oct 6, 2026 — A dystopian drama that draws on the influences of African mythology and hip-hop, Ngozi Onwurah’s debut feature uses a mix of speculative forms to expose anti-Blackness as a system that underpins the modern world.

Sep 11, 2026 — An eclectic mix this week: Iranian cinema, archival deep dives, Neptune Frost, Pauline Kael, and It Ends.

Jun 3, 2026 — This year’s lineup features lots of music, another De Niro and Scorsese reunion, and an AI-generated feature.

May 12, 2026 — Sexuality—how one defines it, lives with it, hides it, shuns it, or wields it—is inextricable from matters of socioeconomic class, though rare is the American film that centralizes this intersectional reality. The foundational myth of the American dream puts forth...

Apr 28, 2026 — As the 1950s began, Kinuyo Tanaka found herself at a turning point. She had been acting in films since she was fourteen, becoming one of Japan’s most beloved, admired, and prolific women stars. Now in her early forties, she saw...

Apr 24, 2026 — Great writing this week on Maurice Pialat, Paul Newman, Johnnie To, Mark Fisher, and wrestlers.

Apr 7, 2026 — The third edition opens with Maddie’s Secret and features Chronovisor, After Dreaming, and Blue Heron.