The Criterion Collection
Mar 16, 2015 — Director and star Robert Montgomery suffuses his moody 1947 New Mexico–set noir with palpable postwar anxiety and expressive fatalism.
Dec 21, 2008 — In 1962, Roberto Rossellini called a press conference in a bookshop in Rome and announced that the cinema was dead. “There’s a crisis not just in film but culture as a whole,” he explained. Increasingly, Rossellini had understood the great...
Essays
Aug 2, 2004 — Anna Magnani’s flair for demotic street comedy was transfigured into stylized nobility by sumptuous costuming and Jean Renoir’s formal camera work.
Features
Oct 24, 2025 — This French art-horror master shocked audiences with a string of sexy vampire movies often centered on complex female friendships and women-ruled fantasy worlds.
The Daily
Mar 7, 2025 — We’re spotlighting fine writing on Ben Rivers, Errol Morris, David Lynch, Želimir Žilnik, and Laura Carreira.
The Daily
Sep 11, 2024 — Marianne Jean-Baptiste plays a deeply frustrated woman in Leigh’s first film set in contemporary Britain since Another Year (2010).
The Daily
Sep 12, 2023 — Cord Jefferson’s American Fiction and Kristoffer Borgli’s Dream Scenario are received in Toronto with applause, laughter, and a few reservations.
Jan 25, 2022 — By repeatedly staging the death of the filmmaker’s father with tragicomic flair, Kirsten Johnson’s hybrid documentary grapples with the realities of dementia and finds grace.
Oct 1, 2021 — Deep Dives Because he’s Orson Welles, even during a less-bankable stretch of his career, he received top billing in Three Cases of Murder. Welles was also pictured most prominently on all the promotional materials for this little-known 1955 British anthology...
Mar 31, 2020 — The Prince of Tides (1991) is the high-water mark in a long and distinguished career in cinema. From the phenomenally successful 1968 musical Funny Girl through her meticulous 1983 rendering of Yentl, Barbra Streisand had earned her place among the most respected artists in...