The Fox

Aug 22, 2017 — The Toronto International Film Festival has announced the titles lined up for its Discovery and In Conversation With . . . programs. And the schedule for its forty-second edition, running from September 7 through 17, is up now, too.Earlier rounds:The...

Aug 7, 2017 — The big news to catch up with here is the launch of Film Critic: Adrian Martin, “almost 20 years, on and off, in the making.” Adrian Martin has been writing essential film criticism for four decades now, and what’s collected...

Jun 29, 2017 — Dorothy B. Hughes’s 1947 novel In a Lonely Place, “about a World War II flyboy, now a serial rapist and murderer, would have violated just about every commandment in the Production Code,” had Nicholas Ray and screenwriter Andrew Solt stuck...

Feb 28, 2014 — Did You See This?• The history of Warner Bros. Pictures in logos • Mark Harris goes to war. • Steven Soderbergh does the Psycho mash. • Wes Anderson introduces his films, and Fantastic Mr. Fox inspires obsession. • Colin MacCabe...

Nov 5, 2013 — The author’s colorful interactions with the famously crusty filmmaker.

Apr 16, 2013 — With its idiosyncratic humor, killer soundtrack, and middle finger to Reagan-era politics, Alex Cox’s film was the perfect cult hit for the golden age of the video store.

Sep 26, 2010 — The Thin Red Line, arguably the greatest war film ever made, ended two decades of silence from Terrence Malick, cinema’s wandering auteur. The silence wasn’t entirely self-imposed, since during this time he tried to launch a few productions—including a tale...

This singularly audacious B-movie visionary made purposefully crude, elegantly stripped-down films that laid bare the dark side of American culture.

Jan 14, 2009 — Gregory Nava, with his writing partner and producer, Anna Thomas, made the courageous decision to tell their story of a cold-war battleground from the point-of-view of the colonized “natives,” eschewing an English-speaking protagonist.

Nov 12, 2007 — What is left of Berlin Alexanderplatz, this endless canon of the sublime and the trivial, is thus a perpetuum mobile of the human dance of love and death.