The Criterion Collection
Aug 23, 2022 — Sidney Poitier’s directorial debut, a western depicting Black cowboy heroes, allowed two of the industry’s most significant Black stars to reorient themselves as artists.
Essays
Apr 2, 2009 — Writing the screenplay with Suzanne Schiffman, I intended to do for the theater what I had done for the cinema in Day for Night: the chronicle of a troupe at work, within a framework respecting the unities of place, time,...
Jul 22, 2026 — The filmmaker looks back on the experiences that have shaped his creative life, including his time in art school, his work as a graphic designer and music-video director, and his early interest in documentary cinema.
Features
Jun 25, 2024 — A collection on the Criterion Channel charts the evolution of the synthesizer—from its infancy in the 1950s to its maturity in the 1980s—and its transformative impact on film music.
On the Channel
Aug 21, 2023 — Channel Calendars This September, the Channel welcomes you back to school . . . where something sinister is afoot. Our High School Horror collection brings together cult classics and teen-slasher favorites for a bloodcurdling look at the scary side of...
Mar 26, 2021 — In her hypnotic, uncategorizable films, the director serves as a channel for images that emerge from deep within her unconscious.
The Daily
Apr 20, 2020 — This month sees new books by and about Woody Allen, Miranda July, and Michael Snow as well as fresh translations and collections of criticism.
Short Takes
May 8, 2017 — With his mix of documentary-like immediacy and profound moral inquiry, Roberto Rossellini became a pioneer of Italian neorealism, a movement that transformed the way filmmakers captured the fabric of everyday life and and grappled with the most urgent social issues...
Apr 28, 2026 — As the 1950s began, Kinuyo Tanaka found herself at a turning point. She had been acting in films since she was fourteen, becoming one of Japan’s most beloved, admired, and prolific women stars. Now in her early forties, she saw...
Essays
Feb 18, 2025 — In her mainstream breakthrough, director Joan Micklin Silver envisions New York City through the eyes of a complicated, searching woman trying to figure out her place in the world.