The Criterion Collection
Nov 26, 2018 — The Magnificent Ambersons “Plus one and minus one equal nothing. So you mean I’m nothing in particular?” —Isabel “Remember you very well indeed.” —George “George, you never saw me before in your life!” —Eugene What is this cult I signed up...
The Daily
Nov 26, 2018 — The cinematographer-turned-director reinvigorated British cinema with bold color and nonlinear storytelling.
On the Channel
Nov 18, 2018 — A performer of great psychological force and control, Ingrid Thulin embodied some of Ingmar Bergman’s darkest obsessions with her intimidating screen presence.
Nov 15, 2018 — In two made-for-television productions, a middle-aged Ingmar Bergman blurred the boundaries between screen and stage.
On the Channel
Nov 4, 2018 — The actor-director talks about the college film course that introduced him to some of the giants of world cinema, including Robert Bresson and Yasujiro Ozu.
The Daily
Nov 2, 2018 — The branding of Bergman, the arrival of The Other Side of the Wind, and more highlights of the week.
Nov 1, 2018 — Art director Richard Holland shares the nitty-gritty of how he constructed the infernal torture device in Rob Reiner’s classic fairy tale.
The Daily
Oct 19, 2018 — Here’s a taste of what the critics have been saying about the nominees.
Oct 18, 2018 — Separated by more than a decade in Ingmar Bergman’s filmography, these two formally masterful dramas uncover the ugliness of male aggression and brutality.
The Daily
Oct 17, 2018 — Peter Jackson revamps archival footage from the First World War in They Shall Not Grow Old.