The Criterion Collection
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Oct 7, 2019 — Critics respond to the New York Film Festival’s selection of new moving image art.
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Sep 27, 2019 — This week, we’re pulling up from the archives landmark journals, behind-the-scenes photos, and movies from an unfairly maligned decade.
The Daily
Sep 27, 2019 — Some of the top titles premiering in Berlin, Locarno, and Venice this year are featured in the New York Film Festival’s Main Slate.
Sep 27, 2019 — Charlie Chaplin gave The Circus (1928) one of his favorite themes, some of his most sublime gags, and an incomparably poignant ending. It’s a hugely personal work, which draws on moments from his whole career, from his early stage work...
Sep 18, 2019 — One Scene The way some rock fans talk about the sanctity of live music, you’d think it was a guaranteed path to transcendence. But of course most concerts fall far short of the sublime, and the thrill of breathing in...
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Sep 17, 2019 — Also this month: Hollywood stars writing and reading and a novel that reimagines the intertwined lives of Marlene Dietrich, Anna May Wong, and Leni Riefenstahl.
Sep 17, 2019 — Fusing the melodrama of Douglas Sirk and the ballyhoo of William Castle, John Waters’ sixth feature, Polyester (1981), was a departure from the scrofulous 16 mm mode of production he had made his cult name plying to midnight-movie crowds in...
Sep 16, 2019 — In a dark moment, Laurence Olivier often reached for a laugh. His lofty, somewhat burdensome reputation as his century’s greatest dramatic actor belies the mercurial essence of his craft, which was to seize upon the humanity in each of his...
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Sep 10, 2019 — The comedic murder mystery in the grand tradition of Agatha Christie has scored an outstanding round of early reviews.
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Sep 3, 2019 — Early reviews of Gray’s space odyssey are strong—and even stronger for Brad Pitt.