The Criterion Collection
The Daily
Nov 4, 2019 — The Viennese avant-gardiste recontextualized found footage to create a landmark trilogy.
The Daily
Sep 25, 2019 — Adam Driver and Scarlett Johansson star as a couple whose breakup turns nasty at the hands of “the divorce-industrial complex.”
Production Notes
Sep 25, 2019 — With Polyester, his first movie to flirt with the mainstream, maverick filmmaker John Waters set out to send up the overripe Hollywood melodramas of yesteryear—but also “to make a movie that really stunk,” as he has put it. Inspired by...
Sep 13, 2019 — Nicholas Britell’s scores are so finely calibrated to the movies they inhabit that they become inextricable from the images on-screen. Whether it’s the staccato heartbeat of orchestral strings in Barry Jenkins’s Moonlight or the mix of piano motifs and hip-hop...
Sep 12, 2019 — A new web resource spearheaded by Su Friedrich celebrates women editors from around the world, highlighting work that has long been obscured by the masculinism of auteurist film culture.
Sep 9, 2019 — In his thought-provoking latest book, the critic and frequent Criterion contributor traces the complex ways European filmmakers have grappled with the influences of Christianity and modernity.
Aug 29, 2019 — Catherine Deneuve and Juliette Binoche star as a mother and daughter clashing over contrasting versions of their past.
The Daily
Aug 20, 2019 — With The Hired Hand, Fonda created a classic of the new era ushered in by Easy Rider.
Jun 11, 2019 — In the mid-1970s, a poet’s circus rolled through the northeast, manifesting the spirit and confusion of the era.
The Daily
Jun 4, 2019 — Before The Dead Don’t Die opens in theaters, two series offer crash courses on a singular oeuvre.