The Criterion Collection
Essays
Feb 1, 1988 — Charles Laughton’s classic has the feel and the force of an American folk fable; yet, it also mixes rural humor with gothic humor, biblical quotation and Freudian symbolism, and everyday realities with a near-mythic confrontation between the forces of good...
Jul 25, 2017 — Albert Brooks brings the gift for comic deconstruction he honed in his stand-up career to this uproarious satire of baby boomer values.
Apr 21, 2014 — A real-life prison uprising inspired this two-fisted tale directed by Don Siegel, who would go on to make many more films about men in extreme situations.
The Daily
Jun 28, 2021 — The new issue features in-depth writing on work by Radu Jude and Ryusuke Hamaguchi and tributes to Bertrand Tavernier and Monte Hellman.
May 25, 2021 — In Edmund Goulding’s gritty cult classic, Tyrone Power casts off his matinee-idol image to play a conniving carnival barker on the flipside of the American dream.
Dec 26, 2018 — Members of the Criterion tech team headed to India last month to teach some practical skills in moving-image conservation at the Film Preservation & Restoration Workshop.
Oct 12, 2018 — Two early works by Ingmar Bergman show the Swedish master grappling with the conventions of melodrama, which would go on to influence his later explorations of spiritual torment.
Essays
May 4, 2018 — What do we mean when we say a narrative film is poetic? The answer lies in this visionary western from director Jim Jarmusch.
May 8, 2017 — Writer Durga Chew-Bose explores her personal connection to Uma Das Gupta’s quietly captivating performance as a carefree young girl in the masterful opening installment of The Apu Trilogy.
Features
Oct 31, 2016 — In her latest column, critic Imogen Sara Smith explores landmark moments in the intersection of noir and the western, including Marlon Brando’s One-Eyed Jacks.