The Criterion Collection
May 31, 2022 — Wayne Wang’s breakthrough feature, a milestone in Asian American cinema, is a humorous and intimate snapshot of San Francisco’s Chinatown.
May 25, 2022 — Mira Nair’s sumptuous second feature explores migration, rebellion, and romance across racial borders in the American South.
The Daily
May 25, 2022 — Park returns to the competition in Cannes with a Hitchcockian murder mystery.
The Daily
May 11, 2022 — Before Qiu’s award-winning feature opens in theaters, the National Museum of Asian Art will present an online retrospective.
The Daily
May 5, 2022 — A coincidental set of screenings and openings almost seems to be responding to the impending reversal of Roe v. Wade.
The Daily
Apr 26, 2022 — The Sydney-based festival of new restorations offers a rich set of globally accessible program notes.
Features
Apr 21, 2022 — In 1948, leftist filmmaker Leo Hurwitz directed a documentary whose title summed up the uncertainty of its moment: for America’s antifascists, the end of the Second World War was a Strange Victory indeed. Using newsreels from the war’s front lines,...
The Daily
Apr 21, 2022 — Critics recommend favorites from this year’s selection of twenty-six features and eleven shorts.
The Daily
Apr 19, 2022 — The Cannes sidebar will present new films by Mia Hansen-Løve, Léa Mysius, João Pedro Rodrigues, and Alex Garland.