The Criterion Collection
Graham Reznick is a director and sound designer based in Brooklyn. His hallucinatory 2008 horror feature I Can See You received rave reviews in the New York Times, Variety, and the Village Voice. Learn more about Reznick’s work at aphasiafilms.com.
Noah Isenberg is the author, most recently, of Detour, the editor of Weimar Cinema, and is currently finishing a critical biography of Edgar G. Ulmer for the University of California Press. He directs the Screen Studies program at Eugene Lang...
B. Ruby Rich is professor emerita at the University of California, Santa Cruz, and the former editor in chief of the journal Film Quarterly. She is the author of New Queer Cinema: The Director’s Cut (2013) and Chick Flicks: Theories...
Francis J. Murphy, a specialist in the history of modern France, taught at Boston College for more than thirty years. Among his many publications are several articles and two books concerning Père Jacques, including a biography, Père Jacques: Resplendent in...
Robert O. Paxton is a professor emeritus of history at Columbia University. He has published several books, including Vichy France: Old Guard and New Order and The Anatomy of Fascism.
Saul Austerlitz is the author of Another Fine Mess: A History of American Film Comedy.
James Naremore is author of An Invention Without a Future: Essays on Cinema (2014), Charles Burnett: A Cinema of Symbolic Knowledge (2017), and Film Noir: A Very Short Introduction (2019). His website is JamesNaremore.net.
Adam Nayman is a critic, lecturer, and author based in Toronto. He writes for the Ringer, Reverse Shot, the New Yorker, and Sight and Sound, and teaches cinema studies at the University of Toronto. He has written several books on...
Antonio Monda teaches in the Film and Television Department at New York University. He is the director of several documentaries as well as the feature film Dicembre. He is the artistic director of the literary festival Le Conversazioni. A columnist...