The Criterion Collection
Essays
Feb 28, 2014 — Other first films exude the sparkling joy of filmmaking that one feels in Breathless, but how many can boast its sure-handedness?
Sneak Peeks
Feb 28, 2014 — Tess is surely among the most beautiful films that Roman Polanski has made. The director, shooting in the French countryside in Normandy and Brittany, traded the intentionally claustrophobic aesthetic of so many of his films (Repulsion, Rosemary’s Baby) for an...
In Theaters
Feb 27, 2014 — Repertory PicksThe visually spectacular Czech masterpiece Marketa Lazarová is coming to theaters in a new 35 mm print from Janus Films. This one-of-a-kind, savage, and strangely beautiful spectacle evokes the textures of medieval life as vividly and perhaps frighteningly as...
Essays
Feb 27, 2014 — Roman Polanski’s film is a highly sophisticated adaptation of Thomas Hardy’s classic novel, in both its faithfulness and its divergences.
Feb 25, 2014 — A testament to Steven Soderbergh’s versatility, this story of a boy growing up during the Great Depression is a tender but tough-minded look at a child’s inner world.
Feb 18, 2014 — The immediacy of an ongoing war electrifies Alfred Hitchcock’s suspenseful second Hollywood feature.
Feb 17, 2014 — Flailing fathers, anxious mothers, and their moody offspring—these characters may have tails, but they’re Wes Anderson people through and through.
Feb 14, 2014 — Did You See This? • Restoring Foreign Correspondent • In contemporary epics, where’s the beef? • Lena Dunham tells all! • A palace to be reopened • Andrew Haigh’s upcoming marital drama • Reading into Rebecca • Jeanine Basinger on...
Feb 5, 2014 — Performances We don’t often talk about documentaries as featuring performances. But consider the highly performative people at the centers of Grey Gardens, General Idi Amin Dada, and last year’s The Act of Killing, or even the seemingly more modest souls...
Essays
Feb 4, 2014 — When François Truffaut was a twenty-three-year-old film critic, in 1955, he read an autobiographical first novel by a seventy-four-year-old writer, Henri-Pierre Roché. “The book overwhelmed me,” he later recalled, “and I wrote: If I ever succeed in making films, I...