The Criterion Collection
Essays
Mar 17, 2026 — In her first and only theatrical feature, director Lynne Littman presents an unbearably intimate vision of apocalypse, focusing on the effects of a nuclear blast on one suburban American family.
Oct 17, 2023 — MoMA will screen two films by one of Iran’s greatest directors—who, along with his wife, has been murdered.
The Daily
Jun 5, 2023 — The director of one of the major early works of the French New Wave lived to see interest in his work revived.
Tech Corner
Feb 26, 2021 — There would be no Indonesian cinema without Usmar Ismail (1921–71). His third feature, The Long March (Darah dan doa, 1950), was not only the first film to be produced by a fully Indonesian crew and production company but also one...
The Daily
Jul 1, 2019 — Truffaut, Melville, and Jean Epstein open this month’s round of reviews and discussions of the latest noteworthy publications.
May 6, 2016 — The distinctive musician and composer discusses his instinctive approach to composition and the value of a total immersion into a film’s world.
The Daily
Jun 15, 2026 — L’Alliance New York celebrates a mischievously fruitful collaboration with a six-film series.
The Daily
Sep 29, 2023 — The week brings conversations with Hal Hartley, Todd Haynes, Christine Vachon, Pedro Costa, Wang Bing, and Rita Azevedo Gomes.
Jul 20, 2016 — In his staggeringly ambitious masterwork A Touch of Zen, Chinese filmmaker King Hu imbues dynamic scenes of combat with balletic grace and audacious stylistic experimentation.
Apr 23, 2007 — Louis Malle’s documentary work adopts certain tenets of cinéma direct—improvisation, minimal crew, the refusal to organize reality—and applies them to a consistently class-conscious, outsider perspective.