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The Killer

Borderline Week

The Daily

Sep 17, 2020 Antonio Campos’s The Devil All the Time and Sean Durkin’s The Nest have A.V. Club writers revisiting the films they’ve made with Josh Mond.

May 8, 2020 More highlights include a dossier on Hong Sang-soo, a letter from Apichatpong Weerasethakul, and Barry Jenkins’s conversation with the young stars of Never Rarely Sometimes Always.

Él: Mad Love

Essays

Nov 18, 2025 This tale of paranoia and romantic jealousy slyly combines the conventions of popular Mexican filmmaking with the surrealist sensibility that made its director, Luis Buñuel, a legendary figure in his native Spain.

Jun 14, 2016 Alexander Hall’s 1941 film showcased Robert Montgomery’s star power and, with its premise of a death revoked, provided much-needed comic relief to war-worried audiences.

Mar 29, 2013 When the world’s favorite comedian asked his audience to see him as a sociopathic serial killer, he was venturing where cinema had barely dared to tread.

Aug 15, 2011 Celebrated as Stanley Kubrick’s first mature film and made when he was only twenty-eight years old, The Killing (1956) is remarkable for boldly announcing so many of the stylistic and thematic preoccupations that would become important constants of his cinema....

Sep 23, 2002 Anticipating reality TV, Rémy Belvaux’s faux cinema verité satire follows a film crew documenting a mass murderer’s rampage.

Jul 6, 2015 The Killers (1946) is exemplary film noir from Robert Siodmak, who, on the strength of three films—this, Phantom Lady (1944), and Criss Cross (1949)—stands beside his fellow European exiles Fritz Lang and Otto Preminger as one of noir’s crucial directors....

Cairns on Siodmak

Short Takes

Jun 4, 2010 He may not be a household name like Fritz Lang or Billy Wilder, but Robert Siodmak is renowned in some circles as one of the most important film noir directors, and his 1946 Burt Lancaster–Ava Gardner vehicle The Killers is...

Apr 2, 2017 What defines noir acting? In her latest Dark Passages column, Imogen Sara Smith examines the stylistic variety in some of the genre’s most iconic male performances, including Burt Lancaster in The Killers and Ralph Meeker in Kiss Me Deadly.

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