The Criterion Collection
The Daily
Dec 5, 2018 — The New Beverly reopens in Los Angeles and Film Comment offers fresh coverage of the repertory scene in New York.
On the Channel
Nov 29, 2018 — The lights may go out at midnight, but we will still be carrying the torch.
The Daily
Nov 28, 2018 — The career of one of Italy’s greatest directors was riddled with scandal and accolades.
Nov 26, 2018 — The Magnificent Ambersons “Plus one and minus one equal nothing. So you mean I’m nothing in particular?” —Isabel “Remember you very well indeed.” —George “George, you never saw me before in your life!” —Eugene What is this cult I signed up...
The Daily
Nov 26, 2018 — The cinematographer-turned-director reinvigorated British cinema with bold color and nonlinear storytelling.
On the Channel
Nov 18, 2018 — A performer of great psychological force and control, Ingrid Thulin embodied some of Ingmar Bergman’s darkest obsessions with her intimidating screen presence.
Nov 15, 2018 — In two made-for-television productions, a middle-aged Ingmar Bergman blurred the boundaries between screen and stage.
On the Channel
Nov 4, 2018 — The actor-director talks about the college film course that introduced him to some of the giants of world cinema, including Robert Bresson and Yasujiro Ozu.
The Daily
Nov 2, 2018 — The branding of Bergman, the arrival of The Other Side of the Wind, and more highlights of the week.
Nov 1, 2018 — Art director Richard Holland shares the nitty-gritty of how he constructed the infernal torture device in Rob Reiner’s classic fairy tale.