The Criterion Collection
Essays
Jun 11, 2024 — A radically strange, postmodern adaptation of a novel by Jean Genet, Rainer Werner Fassbinder’s final film is grounded by a sweaty, seething, meaty eroticism—a confrontational sexuality that remains bracing.
May 9, 2024 — With his new film slated to premiere in Cannes, Rasoulof faces his harshest sentence yet.
The Daily
Feb 27, 2024 — The festival will host the world premiere of the new restoration of Charles Burnett’s The Annihilation of Fish (1999).
The Daily
Feb 26, 2024 — The Berlinale’s top award went to Dahomey on an evening that has sparked heated debate.
The Daily
Jan 10, 2024 — The twentieth edition of MoMA’s festival of film preservation features classics and fresh discoveries from around the world.
The Daily
Jan 5, 2024 — Some big questions come up in discussions of work by Ozu, Welles, and Nancy Savoca.
Features
Sep 25, 2023 — There was a period under the Nixon administration when the collective American psyche, as seen on film, seemed almost convulsed by its fixation on the motor vehicle. Every other week a moviegoer might see a film that could broadly be...
Aug 22, 2023 — In 1962, the young Bo Widerberg threw a grenade into the complacent waters of Swedish cinema. It came in the form of four articles in the evening newspaper Expressen—followed by a book version titled Vision in Swedish Film—in which Widerberg...
Features
Aug 10, 2023 — “You’re the company I waited so long for,” Dr. Rosetta Stone (Tilda Swinton) says to her three Self Replicating Automatons in Teknolust (2002), artist Lynn Hershman Leeson’s sci-fi farce about a scientist’s well-meaning pursuit of artificial life. Stone’s color-coded clones...