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Metaphor

Jun 11, 2024 A radically strange, postmodern adaptation of a novel by Jean Genet, Rainer Werner Fassbinder’s final film is grounded by a sweaty, seething, meaty eroticism—a confrontational sexuality that remains bracing.

May 9, 2024 With his new film slated to premiere in Cannes, Rasoulof faces his harshest sentence yet.

Feb 27, 2024 The festival will host the world premiere of the new restoration of Charles Burnett’s The Annihilation of Fish (1999).

Feb 26, 2024 The Berlinale’s top award went to Dahomey on an evening that has sparked heated debate.

Jan 10, 2024 The twentieth edition of MoMA’s festival of film preservation features classics and fresh discoveries from around the world.

In This World

The Daily

Jan 5, 2024 Some big questions come up in discussions of work by Ozu, Welles, and Nancy Savoca.

Love Wins

The Daily

Oct 19, 2023 The UK celebrates Powell and Pressburger, two writers tune into Robert Bresson, and The Exorcist turns fifty.

Sep 25, 2023 There was a period under the Nixon administration when the collective American psyche, as seen on film, seemed almost convulsed by its fixation on the motor vehicle. Every other week a moviegoer might see a film that could broadly be...

Aug 22, 2023 In 1962, the young Bo Widerberg threw a grenade into the complacent waters of Swedish cinema. It came in the form of four articles in the evening newspaper Expressen—followed by a book version titled Vision in 
Swedish Film—in which Widerberg...

Aug 10, 2023 “You’re the company I waited so long for,” Dr. Rosetta Stone (Tilda Swinton) says to her three Self Replicating Automatons in Teknolust (2002), artist Lynn Hershman Leeson’s sci-fi farce about a scientist’s well-meaning pursuit of artificial life. Stone’s color-coded clones...

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