The Criterion Collection
Short Takes
Jan 8, 2018 — We remember the late portrait photographer Robin Holland with two images she took on the set of Paris, Texas.
Essays
Dec 21, 2017 — The result of a tumultuous production, Orson Welles’s eccentric take on Othello infuses the play with a convulsive rhythm and disorienting sense of abstraction.
The Daily
Dec 14, 2017 — Emotion Pictures: International Melodrama is a sixty-two film series now running at the Film Society of Lincoln Center in New York through January 7. “Sam Fuller famously defined cinema as ‘emotion,’ and just about every variety of it may be...
The Daily
Dec 12, 2017 — “Evil is ascendant,” begins Manohla Dargis in the New York Times. “The Resistance—an intrepid, multi-everything group whose leaders include a battle-tested woman warrior—has been fighting the good fight for years but is outnumbered and occasionally outmaneuvered. Yes, the latest Star...
Dec 12, 2017 — Alexander Payne skewers the absurdities of American politics in this tale of a high-school presidential campaign gone ugly.
The Daily
Dec 4, 2017 — Aafter talking with Robert Pattinson about his eagerness to work with Josh and Benny Safdie on Good Time and with James Gray on The Lost City of Z, IndieWire’s Chris O’Falt has gotten the actor to chat a bit about...
The Daily
Nov 20, 2017 — “Charles Manson, the hippie cult leader who became the hypnotic-eyed face of evil across America after orchestrating the gruesome murders of pregnant actress Sharon Tate and six others in Los Angeles during the summer of 1969, died Sunday after nearly...
Nov 14, 2017 — Donna Deitch combined tropes of lesbian pulp romance with the sheen of mainstream filmmaking in her beloved debut feature.
Nov 7, 2017 — A haughty socialite is torn between the affections of three men in George Cukor’s blissful comedy of manners.
The Daily
Oct 24, 2017 — “Federico Luppi, a dignified Argentine actor well known for his complex performances in the dark fantasy films of Guillermo del Toro, died on Friday in Buenos Aires,” reports Daniel E. Slotnik in the New York Times. Luppi, seen above with...