The Criterion Collection
Essays
Nov 27, 2018 — With The Magnificent Ambersons, Orson Welles created a model of period filmmaking, lightly deploying historical signifiers while focusing on the haunting power of his actors’ faces.
Nov 26, 2018 — Even as he chronicles the downfall of an American family, Orson Welles brings a sense of buoyancy to this grim saga through his virtuoso storytelling.
Nov 18, 2018 — This sensuous, sprawling epic, which Ingmar Bergman intended to be his swan song, offers an effortless summing up of the themes—among them family, identity, and mortality—he'd spent a career exploring.
Nov 9, 2018 — Critically maligned upon their release, Ingmar Bergman’s only two English-language films show the master’s artistry at its most restrained and its most convoluted.
The Daily
Oct 23, 2018 — Jon S. Baird and his cast offer a winning tribute to Laurel and Hardy.
The Daily
Oct 18, 2018 — An autumnal round of reviews, excerpts, interviews, and news.
Oct 9, 2018 — The Oscar-winning director of La La Land explains how an early encounter with À nos amours taught him to mix spontaneity and surprise into his own highly stylized worlds.
On the Channel
Oct 4, 2018 — North by Northwest’s crop-duster scene—in which Cary Grant’s victim of mistaken identity finds himself in a fallow Indiana field, hunted by a low-flying biplane—is one of the most iconically thrilling moments in Alfred Hitchcock’s fiendishly clever body of work. But,...
Sep 19, 2018 — The writer and editor for Artforum, cofounder of October, and professor at NYU was ninety-six.
Sep 17, 2018 — Critics pick their favorite premieres of the season, and Toronto audiences vote up a surprise winner.