The Criterion Collection
The Daily
Mar 21, 2022 — Weeks ahead of the lineup announcement, trade publications are making educated guesses.
Mar 15, 2022 — The story of queerness in American cinema isn’t complete without the unusual case of These Three (1936) and The Children’s Hour (1961). Both films are based on Lillian Hellman’s 1934 play The Children’s Hour, inspired by an incident in which...
The Daily
Mar 10, 2022 — The Austin festival will stage its first in-person event since 2019.
The Daily
Feb 22, 2022 — Acting, that undefinable amalgam of technique, persona, and plain hard work, dominates this month’s roundup.
The Daily
Feb 15, 2022 — Films from Italy, Iceland, and the Central African Republic each map the dynamic between four friends.
The Daily
Feb 10, 2022 — The heads of each section discuss the highlights and themes of their selections.
Feb 2, 2022 — Forever associated with Antonioni, the Italian actress cut loose in the 1970s.
Jan 31, 2022 — Movies are about looking, and no one involved in the making of a film is more directly responsible for the frames we look at than a cinematographer, or director of photography. Together with the director, the cinematographer shapes the visual...
The Daily
Jan 27, 2022 — As John Cameron Mitchell’s newly restored second feature returns to theaters, many wonder if it could possibly be made today.
The Daily
Jan 19, 2022 — The competition will premiere new work from Hong Sangsoo, Claire Denis, Ursula Meier, Denis Côté, Ulrich Seidl, and Paolo Taviani.