Kakegurui: The Movie

Apr 20, 2018 — “Jiri Trnka didn’t craft his puppet-cartoon shorts and features merely to imitate life,” writes Michael Sragow for Film Comment. “His endlessly original and inventive movies incorporate life, or transcend it. Trnka insisted that he was ‘local,’ and drew many of...

Feb 25, 2018 — “James Baldwin and Karl Marx—the subjects of my two most recent films—were my two primary teachers; each in his own way taught me how to think, how to be, how to engage,” writes Raoul Peck, director of I Am Not...

Jan 29, 2018 — This weekend was about the Grammys, of course, but it wasn’t all about the Grammys. As Guy Lodge reports for Variety, Martin McDonagh’s Three Billboards Outside Ebbing, Missouri “may be proving the most critically divisive of this year’s top Oscar...

Jan 21, 2018 — “In a festival that rarely wants for political currency,” writes Justin Chang in a dispatch from Sundance to the Los Angeles Times, “it’s surely no coincidence that Blindspotting and Monsters and Men, the first two films to screen in this...

Dec 27, 2017 — Over the past couple of weeks, we’ve lost some writers who’ve made unique contributions to film criticism. At Film Studies for Free, Catherine Grant has posted an entry in memory of “radical film and media scholar” Chuck Kleinhans. “Along with...

Nov 9, 2017 — “DOC NYC started in 2010 and is now, at 250 movies and dozens of filmmaker workshops (best in class: ‘Show Me the Money Day’) spread over eight days [November 9 through 16], the biggest and probably best one-stop venue for...

Nov 6, 2017 — “One of the disorientations of where we’re at—the obliterative sucking splotch of a present tense in which we now all live—is that it feels simultaneously like a malign mischance and like something we should have seen coming a mile off,”...

Oct 17, 2017 — One of the very best podcasts out there, You Must Remember This, is back with a new season, “Bela and Boris.” Karina Longworth introduces the first episode, “Where the Monsters Came From” (41’40”): “Bela Lugosi and Boris Karloff were two...

Oct 6, 2017 — Back when Projections was still called “Views from the Avant-Garde,” the New York Film Festival described its program as a “yearly touchstone for experimental film.” Now neither of those terms—“avant-garde” and “experimental”—are quite broad enough to encompass all that goes...

Sep 30, 2017 — “Nine years in the making, Western draws its title from [Valeska] Grisebach’s generic source inspiration, the American Western,” wrote Michael J. Anderson in a dispatch back to the Oklahoma City Museum of Art a couple of weeks ago. “Noted for...