The Criterion Collection
Features
May 11, 2022 — Louis Feuillade’s influential serial Les Vampires reflected the French national subconscious at the time by depicting a madcap world of anarchy and violent spectacle.
The Daily
Apr 11, 2022 — Whit Stillman pays tribute to illustrator Pierre Le-Tan and Genevieve Yue, Gary Indiana, and Dennis Lim discuss their new books.
The Daily
Feb 1, 2022 — A solid dossier, an exhibition, and festival screenings illuminate the work of a stalwart of cinema.
Dec 7, 2021 — Regina King’s feature-film directorial debut envisions the true-life convergence of four prominent Black figures with empathy and moral urgency.
Sep 7, 2021 — When Breathless opened in the U.S., the New York Times announced the arrival of “a hypnotically ugly new young man by the name of Jean-Paul Belmondo.”
Aug 24, 2021 — Andrzej Wajda’s masterful portrait of postwar Poland pits Communist ideals against the bitter realities of a new order.
May 19, 2021 — A confession: before I made my first trip, a few years ago, to the imagineNATIVE Film + Media Arts Festival in Toronto, I had seen precious little Indigenous cinema. The average cinephile in the West watches predominantly films made by...
Apr 16, 2021 — Few motifs in Indian cinema are as potent, as laden with history and meaning, as the train. In 1955’s Pather Panchali, Satyajit Ray immortalized the railways as the symbol of an alienating modernity in a newly independent India; in a...
Feb 10, 2021 — Carrière was a humble and eager collaborator, working with Buñuel, Forman, Malle, Oshima, Schlöndorff, Wajda, and Godard.
Oct 30, 2020 — In his tension-filled, black-comic Oscar winner, Bong Joon Ho masterfully mixes tones and subverts genres in order to shine a harsh light on the mechanisms that maintain class inequality.