The Call

Sep 28, 2017 — “Every year around this time,” New York Film Festival director Kent Jones tells poet Peter Gizzi in BOMB, “I do a few interviews, and this question always comes up: what themes did you pursue? My answer is always the same:...

Sep 3, 2017 — We begin with Jessica Kiang at the Playlist: “The book that will someday be written detailing the evolution of the cinematic head-stomp will be divided, rather like the most unfortunate victim of Bone Tomahawk, into two halves: before S. Craig...

Aug 22, 2017 — New York. The Metrograph’s series Antonioni x 6 is on from today and, in the Village Voice, Bilge Ebiri focuses on Le amiche (1955), “decidedly not what one would call ‘Antonioni-esque’”; L’avventura (1960), which “as been called alienating, but I’m...

Jul 17, 2017 — “Steven Spielberg laid claim to the Normandy beach landing,” begins Variety’s Peter Debruge, “Clint Eastwood owns Iwo Jima, and now, Christopher Nolan has authored the definitive cinematic version of Dunkirk. Unlike those other battles, however, this last was not a...

May 17, 2017 — “For its 70th anniversary,” begins Boyd van Hoeij in the Hollywood Reporter, “the Cannes Film Festival has, very appropriately, chosen to open with a film by French auteur Arnaud Desplechin, a Cannes discovery whose feature debut, The Sentinel, played in...

Nov 12, 2015 — Michael Haneke’s politically prescient drama explores the tenuous, uneasy connections between inhabitants of a globally interwoven Europe.

Jun 1, 2015 — A legionnaire turned fruit seller misses out on Germany’s economic miracle in Rainer Werner Fassbinder’s breakthrough melodrama.

Jan 21, 2015 — Money can’t buy love and happiness in Preston Sturges’s classic comedy—or can it?

Mar 24, 2014 — Rome is as exquisite as it is suffocating in Paolo Sorrentino’s profound tale of contemporary entropy.

Nov 12, 2013 — Noah Baumbach and Greta Gerwig create a luminous, romantic portrait of a young woman looking for fulfillment in New York City.