The Criterion Collection
Sep 5, 2017 — Frederick Wiseman “is 87 now,” as Tom Charity notes in the new issue of Cinema Scope. “It may be a little presumptuous to suggest he’s reaching for a summation, but it is sure that he’s only making the films he...
Essays
Apr 25, 2017 — After a string of ill-fated productions, Francis Ford Coppola channeled his feelings of self-doubt in this deeply personal take on S. E. Hinton’s beloved novel.
Sep 22, 2009 — A new era in popular music deserves a new era in filmmaking—that’s the basis of the perfect, fortuitous match-up between rock and cinema in D.A. Pennebaker’s concert film.
Essays
Feb 16, 2021 — “Me myself, I prefer literature,” the Senegalese author-filmmaker Ousmane Sembène tells a group of African students in the 1994 documentary Sembène: The Making of African Cinema. “But in our time, literature is a luxury.” Sembène’s historical conjuncture—Africa’s putative transition from...
The Daily
Nov 25, 2025 — Having broken through in over-the-top horror movies, Kier turned in arresting performances in films by Fassbinder, Lars von Trier, and Gus Van Sant.
The Daily
Jul 24, 2025 — This year’s Cinema Rediscovered festival spotlights the vitally independent voices of the Thatcher era.
The Daily
Feb 28, 2023 — The Arsenal in Berlin presents the first retrospective in Germany dedicated to the “master of poetic realism.”
The Daily
Jan 18, 2022 — MoMA’s festival of film preservation presents Beat poets, crown jewels, a lonely Hungarian, and a Senegalese bad boy.
Aug 10, 2017 — “Stylish swagger goes full-tilt boogie in Let the Corpses Tan (Laissez bronzer les cadavres), the latest delirious exercise in lovingly retro pastiche from Brussels-based writer-directors Hélène Cattet and Bruno Forzani,” begins Neil Young in the Hollywood Reporter. “Having amassed a...
The Daily
May 7, 2024 — This year’s edition features work by Michel Khleifi, Antoinetta Angelidi, Amit Dutta, Raúl Ruiz, and Tsai Ming-liang.