The Criterion Collection
Essays
Oct 28, 2025 — An adaptation of a classic pulp novel by William Lindsay Gresham, Guillermo del Toro’s first foray into film noir is an intensely evocative exploration of how human impulses can give rise to monsters.
Features
Oct 24, 2025 — This French art-horror master shocked audiences with a string of sexy vampire movies often centered on complex female friendships and women-ruled fantasy worlds.
The Daily
Oct 16, 2025 — Vivacious and winning in comedies, she also brought a fierce power to her dramatic roles.
On the Channel
Oct 16, 2025 — This month, join us for a Thanksgiving feast of some of the movies’ most memorable family reunions, or delve into the dark alleyways of noir mysteries built around protagonists tormented by amnesia, memory holes, and drunken blackouts.
The Daily
Oct 10, 2025 — This week: Essays on Daniel Day-Lewis, Sophie Fillières, and Miguel Gomes, a talk with Wes Anderson, and an AI experiment.
The Daily
Oct 1, 2025 — With two films set to open next month, Richard Linklater programs a series of French New Wave classics.
The Daily
Sep 30, 2025 — Three films of wonder and wandering: Mare’s Nest, Dry Leaf, and Drunken Noodles.
Sep 30, 2025 — Made with a formal control unparalleled in modern American cinema, the films of this utterly distinctive auteur seek to contain and understand an uncontainable, unknowable world.
Features
Sep 25, 2025 — To celebrate Robert Altman’s centennial, we invited five writers—Howard Hampton, Bruce LaBruce, Violet Lucca, Christina Newland, and Carlos Valladares—to each explore a favorite lesser-known gem from the great director’s filmography.
Sep 24, 2025 — Propelled by outstanding performances from Emmanuelle Devos and Vincent Cassel, Jacques Audiard’s third feature is the rare French crime film built around a complex female character who takes initiative in a male-dominated world.