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Last Film Show

Oct 4, 2011 Pier Paolo Pasolini’s work demonstrates an aversion for the present while simultaneously suggesting the impossibility of escaping it, and thus the need to confront it.

Dec 1, 2009 The first words we hear are Sam Cutler’s: “Everybody seems to be ready—are we ready?” We were nowhere near ready for what was to come, there at the bitter end of the sixties. I remember that rainy day so well,...

Nov 19, 2007 Ingmar Bergman made some outstanding films before Sawdust and Tinsel (1953). But that film, released in America under the meretricious title The Naked Night—and known in Sweden as The Clown’s Evening—was the first that no other director could have made....

Final Cut

Production Notes

Jan 3, 2008 We’ve received a number of letters recently inquiring about the various versions of Bernardo Bertolucci’s The Last Emperor. I’ve been immersed in the film for several months now and wanted to clarify a few misconceptions. When I started working on...

November Books

The Daily

Nov 20, 2023 This month brings new books on Godard and Bergman, novelists moonlighting as film critics, and biographies of Lena Horne and Elizabeth Taylor.

Jan 1, 2022 Ring in the new year with the French New Wave, Joseph L. Mankiewicz, and a look back at the 1992 Sundance Film Festival.

Enduring Portraits

The Daily

Jun 18, 2026 We’re wrapping the week with top docs, Black writers, screwball comedies, and appreciations of Raoul Peck and Jafar Panahi.

January Books

The Daily

Jan 26, 2026 The new year brings an ode to Judy Garland, conversations with Martin Scorsese, and a novel by John Sayles.

Aug 13, 2024 In films that elude categorization, the Ukrainian director developed a boldly experimental aesthetic that evokes her mercurial inner dialogue and the leaps and stutters of her imagination.

Apr 10, 2024 Heading into its final weekend, the festival presents new work from Singapore, Serbia, Brazil, China, Iran, Georgia, and Taiwan.

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