The Criterion Collection
The Daily
Nov 20, 2020 — Garrett Bradley, David Fincher, Hayao Miyazaki, George Clooney, Jim Jarmusch, and RZA bring us this week’s highlights.
Essays
Nov 22, 1999 — Grand Illusion is the masterpiece that earned Jean Renoir enormous acclaim in the United States, exciting the admiration of President Franklin D. Roosevelt and running for 26 weeks in New York after its opening in September 1938. Banned in Italy...
Jan 31, 2005 — Like the movie’s rattletrap trucks lurching down the highway as they carry way-too-heavy loads, the characters in Jules Dassin’s brilliantly volatile Thieves’ Highway struggle under psychological and moral baggage until they can lay their burdens down. Working from a novel...
Essays
Dec 31, 1999 — As a tour de force of screen acting, Autumn Sonata stands unchallenged as the finest work of Ingmar Bergman’s last few years as a movie director. Fanny and Alexander may have won the Oscars, but Autumn Sonata represents Bergman’s chamber...
Jun 16, 2009 — In Tempo di viaggio (1983), the doodle Andrei Tarkovsky and Tonino Guerra made for Italian TV as they prepped Nostalghia, the great struggling Russian answers a question about genre films by saying that his Solaris (1972) is “not so good,”...
The Daily
Aug 27, 2026 — She was a winning presence on the big screen, even if her movies were only a fraction of her monumental impact on popular culture.
Mar 24, 2026 — In this true-crime epic, Martin Scorsese combines his career-long exploration of amoral gangsterism with a sobering meditation on what it means to live on American soil.
Features
Apr 18, 2025 — When Mayor John Lindsay made it easier for filmmakers to shoot on location in New York City, he paved the way for a string of movies that captured the troubled metropolis in the late sixties and early seventies.
Aug 12, 2024 — The great actor creates an unforgettable portrait of a man worn down by the world in Tamara Jenkins’s darkly funny and deeply moving family drama.
Essays
May 30, 2023 — What makes Thelma & Louise truly a film for women, despite the fact that it was directed by a man, are its stars, Geena Davis and Susan Sarandon, who imbue their iconic performances with tender, unwavering specificity.