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In Name Only

May 8, 2020 The opening and closing credits in a film are a form of housekeeping, fulfilling a legal obligation to compile the names of cast and crew who made the final product possible. Visionary designer Saul Bass saw the aesthetic potential in...

May 4, 2020 “You’ve never seen prairie grass with the wind leaning on it, have you, Diz?”Jean Arthur asks this poetic, expressively peculiar question of Thomas Mitchell in Frank Capra’s 1939 Mr. Smith Goes to Washington, and we understand her yearning for truth...

Mar 9, 2020 The towering Swede left indelible impressions as a medieval knight, a few tormented artists, two emigrants, and a loving father.

Jan 10, 2020 How many times, in cultural history, has surrealism been declared out for the count? For the German philosopher Walter Benjamin, writing in 1929, surveying the surrealist literature of André Breton, Robert Desnos, and Louis Aragon, the glory days of this...

Dec 30, 2019 We asked some of our friends if they had underappreciated films from the past decade that they wanted to champion. Here’s what they chose.

Nov 26, 2019 In a key scene of the beloved Bette Davis film Now, Voyager (1942), the heroine goes to dinner on a cruise ship wearing a cloak decorated with fritillaries. A fritillary is a spangled butterfly, and the scene signals that Charlotte...

MoMA’s Back

The Daily

Oct 21, 2019 Newly renovated and expanded, New York’s Museum of Modern Art integrates the story of cinema into its history of modernism.

Sep 18, 2019 One Scene The way some rock fans talk about the sanctity of live music, you’d think it was a guaranteed path to transcendence. But of course most concerts fall far short of the sublime, and the thrill of breathing in...

Aug 19, 2019 Vitalina Varela leads this year’s award winners at the Locarno Film Festival.

Jul 1, 2019 Truffaut, Melville, and Jean Epstein open this month’s round of reviews and discussions of the latest noteworthy publications.

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