The Criterion Collection
Features
Aug 14, 2020 — One Scene Over the course of an adventurous career that encompassed narrative and documentary filmmaking as well as photography, sculpture, and video installation, Agnès Varda was a shape-shifter who merged her deep engagement with social reality with a playful, endlessly...
Jun 30, 2020 — Come and See (1985) is one of those films whose authority is established from its opening moments. Out in the open air, an elderly peasant dressed in a soft-peaked beret is volleying a mixture of threats and imprecations into some...
The Daily
Nov 14, 2018 — The history of Hollywood is the focus of this round, but its reach also extends well beyond.
The Daily
Sep 20, 2018 — One of the most respected film publications celebrates its anniversary with a forward-looking symposium.
The Daily
Sep 10, 2018 — Hopes were high in Venice this year, and for the most part, they seem to have been fulfilled.
Features
Aug 9, 2018 — An annual destination for cinephiles from around the world, this film festival in Bologna is a magical place to discover the richness of cinema’s past.
The Daily
Apr 11, 2018 — The Cannes Film Festival has announced the lineup for its seventy-first edition, running from May 8 through 19. Artistic director Thierry Frémaux has declared that this year’s Official Selection represents “a great renewal,” a new generation of filmmakers reflecting the...
Feb 19, 2018 — Jonathan Demme put an uncompromisingly feminist spin on the law-enforcement procedural with this wildly successful, Oscar-winning drama.
The Daily
Dec 6, 2017 — “There’s topical, there’s timely, and then there’s The Post, which feels less like a historical thriller set in 1971 than it does an exhilarating caricature of the year 2017,” begins David Ehrlich at IndieWire. “While Steven Spielberg’s latest film rivetingly...
The Daily
Sep 8, 2017 — “A complex and layered work, [Jonas Mekas’s] Lost Lost Lost [1976]—especially its first hour—is among cinema’s most poignant accounts of the immigrant experience,” writes Girish Shambu. “Historically, the best immigration cinema stages, in an astonishing multitude of ways, a divided...