Jun 25, 2024 Barry Jenkins’s extraordinarily ambitious limited series distinguishes itself in the tradition of the cinematic slavery epic through its understanding that Black joy and Black trauma cannot be cleaved from each other.

Jun 24, 2024 Costars and critics remember an outstanding actor who neither looked nor sounded like a movie star.

Jun 21, 2024 An underrated figure of Japanese cinema’s postwar era, the director tackled a wide range of subjects over his long career, including corporate double-dealing, government espionage, and various forms of fanaticism.

Jun 20, 2024 All the Archers’ classics but also more than a few rarities will screen as part of MoMA’s comprehensive retrospective.

Jun 20, 2024 She was Demy’s Lola, Fellini’s Luisa, and in Lelouch’s A Man and a Woman, Trintignant’s lover.

June Books

The Daily

Jun 18, 2024 We’re diving deeper this month into a new Elaine May biography and memoirs from Susan Seidelman and Griffin Dunne.

Jun 13, 2024 Baker has selected seventeen films to screen in New York before her first feature opens next week.

Jun 10, 2024 The Canadian filmmaker and artist reflects on his award-winning 1996 breakthrough, a work of voluptuous style and fierce political commitment that remains a landmark of New Queer Cinema.

Look at the Truth

The Daily

Jun 7, 2024 Standouts this week include conversations with Bridgett M. Davis and Nan Goldin and essays on Nobuhiko Obayashi and Paul Schrader.

Jun 6, 2024 In the run-up to the release of Green Border, the Museum of the Moving Image will present a two-week, ten-film survey of her work.

Current Page
30
of 184

You have no items in your shopping cart