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Wrong Turn

Nov 13, 2006 There’s a store called Stew Leonard’s near where I live. When you walk in, you can see the customer service rules hanging above the entrance. It’s simple—there are only two: Rule one: The customer is always right; Rule two: When...

Jan 28, 1991 The following review, one of the most renowned in the history of film criticism, appeared in The New Yorker magazine on October 28, 1972. It is reprinted with the permission of the author, Pauline Kael. Bernardo Bertolucci’s Last Tango in...

Aug 25, 2026 In her second film, Oscar-winning documentarian Barbara Kopple captures the anguish and perils of disunity in the labor movement and the corrosion of union power during the Reagan era.

Jul 21, 2026 Harry Dean Stanton’s Jerry Schue doesn’t get on-screen until a full hour of Ulu Grosbard’s Straight Time (1978) has passed. Unlike Orson Welles as Harry Lime in The Third Man, Stanton’s character hasn’t been discussed, chewed over, anticipated, and foreshadowed for...

Jun 17, 2026 Channel Calendars This month on the Criterion Channel, celebrate the hundredth birthday of the great Harry Dean Stanton, delight in the twists and thrills of our Murderous Melodramas collection, or binge the surreal cult-favorite TV series The Prisoner. There’s so...

Jun 9, 2026 The screenwriter, director, and novelist will take an active part in all ten screenings in a TIFF Cinematheque series.

May 27, 2026 When Joachim Trier made his debut in 2006 with the film Reprise, I felt as if a veil had been lifted. There was nothing wrong with Norwegian cinema before Trier’s arrival, but it always seemed to be about someone else,...

Hope and Fjord

The Daily

May 20, 2026 There’s zero consensus when it comes to the latest films by Na Hong-jin and Cristian Mungiu.

April Books

The Daily

Apr 21, 2026 From new titles on the silent era and Hollywood’s Golden Age to forthcoming novels and memoirs, this month offers something for every reader.

Apr 1, 2026 BAMPFA presents a retrospective in conjunction with the filmmaker’s residency at UC Berkeley.

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