The Criterion Collection
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Jun 30, 2023 — This week’s highlights include conversations with Boots Riley and Lucrecia Martel and a new triple issue of Offscreen.
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Apr 26, 2019 — New issues of Screening the Past and cléo are out this week, and new restorations are opening in New York.
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Aug 16, 2017 — New York. Boxing on Film: Part 1, a series opening at Anthology Film Archives on Friday and running through August 27, focuses “on the barbarity of pugilism while also exalting the elemental spectacle of two men trying to knock each...
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Jul 6, 2023 — The accomplished actor excelled at playing ordinary men facing down life’s most outrageous absurdities.
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Oct 4, 2017 — Starting today, and on through October 15, the sixty-first BFI London Film Festival will present over 240 features—premieres, revivals, and hand-picked highlights from the year’s festival calendar so far—and nearly 130 short films. Our guide here won’t—can’t—be complete, but with...
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Jun 12, 2026 — We’re hunkering down with an oral history of Steven Spielberg and reading about Mary Harron, Marianne Jean-Baptiste, Radu Jude, and Pier Paolo Pasolini.
May 28, 2019 — It has taken me forty years to appreciate the audacity of Agnès Varda in writing and directing One Sings, the Other Doesn’t (1977). Not only did Varda make her subject the most crucial and vexed issue of the feminist movement, at that...
Apr 20, 2015 — "Afilm about India without elephants and tiger hunts”—this was how Jean Renoir described his objective in making The River. Guided by Rumer Godden’s autobiographical novel, he rejected the India of exotic action and spectacle to make a meditative, almost mystical...
Jul 25, 2023 — The protagonists in Budd Boetticher’s five classic Columbia westerns are paired with opponents who, venal though they may be, almost always have their reasons.
May 21, 2019 — Claire Denis’s Let the Sunshine In (2017) is one of the great films about middle-aged loneliness, specifically—though not exclusively—as women feel it. It’s not a dating movie, though there’s dating in it. And it’s not a feeling-sorry-for-oneself movie, though there are...