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Tokimeki ni shisu

Aug 17, 2018 Also, a personal remembrance of cinematographer Masaki Tamura.

Jun 28, 2018 As two festivals in New York survey the best of new Japanese cinema, it’s “Summer in Japan” in Toronto.

Jan 24, 2018 One of the most memorable sequences in the silent classic People on Sunday explores the experience of being photographed and the tension between still and moving images.

May 17, 2016 Juxtaposing a vision of a stark, primitive existence on a remote Japanese island with that country’s vast twentieth-century modernization, Kaneto Shindo reveals Japan’s postwar paradoxes and makes a case for its essential, immutable character.

Nov 6, 2012 When Akira Kurosawa made Rashomon (1950), he was a forty-year-old director working near the beginning of a career that would last fifty years, produce some of the greatest films ever made, and exert a tremendous and lasting influence on filmmaking...

Living with Ikiru

Short Takes

Oct 10, 2012 Among Kurosawa’s films set in the twentieth century, Ikiru—which you can watch for free on Hulu this week—is probably the most widely seen and beloved. This soul-searching morality tale concerns Watanabe (the haunting Takashi Shimura), a widower and city worker...

Aug 3, 2010 Sanshiro Sugata: A Career Blooms Moviegoers the world over know Akira Kurosawa for Rashomon (1950) and the international classics that followed—Ikiru, Seven Samurai, Throne of Blood, Yojimbo, High and Low. The filmmaker’s dazzling technique made his genre tales about samurai...

Dec 11, 2009 This expansive tribute to the iconic Japanese actor Tatsuya Nakadai was first published on the Criterion Collection’s website in fall 2005, around the time of the Criterion releases of two films starring Nakadai: Kurosawa’s Ran and the less well-known samurai...

Jan 14, 2008 As Japan was coming out of World War II, Akira Kurosawa was coming into his own as a filmmaker.

Nov 19, 2007 Akira Kurosawa explores criminal machismo in his seventh film, which he felt was his official breakthrough in Japanese cinema.

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