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The Two Paths

Sep 29, 2022 This October, we’re summoning our demons with an expansive collection of ’80s horror and a roundup of Universal monster movies.

Sep 19, 2022 Deeply influenced by his French education but primarily interested in the representation of African realities on-screen, this long-overlooked visionary approached a variety of subjects with a style both investigative and declarative.

Dec 30, 2021 Claire Denis, Martin Scorsese, Park Chan-wook, Kelly Reichardt, David Cronenberg, Josephine Decker, Yorgos Lanthimos, Mia Hansen-Løve—the list goes on.

Mar 23, 2021 “Pleasure,” wrote Samuel Butler in The Way of All Flesh, “is a safer guide than either right or duty.” Surely this is true when it comes to watching films. While cinema can be edifying, most of us go to the...

Mar 9, 2021 Stanley Kubrick’s lost-and-found Lunatic at Large and Michelangelo Antonioni’s Technically Sweet are back in the works.

Jan 26, 2021 Larisa Shepitko was born in eastern Ukraine in 1938. Her mother was a schoolteacher; her father, who left the family, fought in World War II. Her mother raised her and her two siblings on her own, and the moment Larisa...

Aug 11, 2020 The Complete Films of Agnès Varda In September 2018, I screened Agnès Varda and JR’s Faces Places for the Michigan State University Film Collective. We had a lively discussion that went past the scheduled ending time. As I was getting...

Apr 9, 2020 The San Francisco–based creative team Century, cofounded by Jason Hardy and Steve Knodel, is no stranger to working with Criterion, having designed our Ingmar Bergman’s Cinema set, as well as the current form of this very website. The latest of...

Apr 9, 2020 The American Cinematheque premieres a delightful five-minute film that Varda made in 2008.

Oct 10, 2019 Dark Passages Where the sea and the city meet, they corrupt each other. Around docks, the ocean’s margins are scummy with oil and floating garbage; the water corrodes hulls, encrusts pilings, and slimes steps. Ports cater to men who come...

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