The Brazilwood Man

Nov 21, 2008 — “Oh! What have you done to me? What an impossible task. To pick ten titles from the Criterion Collection is difficult enough, but to put them in any kind of order would defeat Ockham's sharpest razor,” exclaimed Nicolas Roeg, director...

Aug 28, 2007 — Having studied everything but film in college, I never would have imagined that landing a job in the DVD industry would help me get more out of fashion magazines. But sitting in the front office at Criterion, seeing every person...

Nov 11, 2002 — Continued from Anatomy of a Love Festival - Part One The real turn-on, though, was the music—twenty-two hours of it, divided into solid chunks that usually ran more than thirty minutes. Friday night was the epitome of what San Francisco...

Apr 15, 1992 — When President Kennedy announced that Ian Fleming’s novels were amongst his favorite bedside reading, the international stage was set for the entrance of a new cinematic character. His name was Bond—James Bond. In 1962, Dr. No burst onto the screen...

Jan 28, 1991 — The following review, one of the most renowned in the history of film criticism, appeared in The New Yorker magazine on October 28, 1972. It is reprinted with the permission of the author, Pauline Kael. Bernardo Bertolucci’s Last Tango in...

While in town for the release of his new movie The Man Who Killed Don Quixote, the legendary filmmaker stopped by to pick up some Criterion favorites.

Erica Wagner was born in New York and lives in London. Gravity, her collection of short stories, was published by Granta in 1997; Ariel’s Gift, a book about Ted Hughes’s “Birthday Letters,” was published by W. W. Norton in 2001;...

Paul Mayersberg started as a film critic, worked as an assistant to Jean-Pierre Melville, Joseph Losey, and Roger Corman, and became the screenwriter of The Man Who Fell to Earth, Merry Christmas Mr. Lawrence, Eureka, and Croupier. He is the...

Writer, filmmaker, and broadcaster Kevin Jackson (1955–2021) was the author or editor of more than thirty books. He contributed regularly to Sight and Sound, the Guardian, and BBC Radio 4’s Saturday Review, and his documentary work included coproducing Humphrey Jennings:...

Graham Fuller is film editor of the Arts Desk and an editorial associate at Cineaste. He has written about movies for Sight and Sound, Film Comment, Vanity Fair, and the New York Times. He has also contributed essays to the...