The Criterion Collection
The Daily
Mar 2, 2023 — The Film Forum series spotlights Moreau’s close working relationships with Louis Malle, François Truffaut, Orson Welles, and Marguerite Duras.
The Daily
Jan 13, 2023 — This week’s eclectic round touches on experimental milestones, restorations, Mexican cinema, a Japanese series, and movies about movies.
Production Notes
Aug 25, 2022 — While working on our edition of Martin Scorsese’s 1980 masterpiece, producer Abbey Lustgarten found out how the director achieved some of the movie’s most evocative visual and sonic effects.
Features
Aug 17, 2022 — The music of the legendary, multiple-Oscar-winning composer brought the freedom and anxiety of postwar America to life.
Jul 13, 2022 — Stylistically informed by film noir, Martin Scorsese’s searing drama plumbs male violence and rage through a boxing champ’s self-destruction.
On the Channel
Jun 29, 2022 — This month on the Channel brings a collection of boxing movies, a survey of film noir steeped in expressionistic color, and a tribute to the classic Hollywood director Henry King.
The Daily
Apr 26, 2022 — The Sydney-based festival of new restorations offers a rich set of globally accessible program notes.
The Daily
Feb 28, 2022 — Rendez-Vous with French Cinema brings César winners and Arnaud Desplechin programs a series for FIAF.
The Daily
Jan 14, 2022 — This week we’re watching and reading about Tom Noonan, Jean Vigo, Marie-Claude Treilhou, and Miklós Jancsó.
Nov 23, 2021 — The End In the end, it should not have come as any kind of surprise. When Alfred Hitchcock’s Vertigo dethroned Orson Welles’s Citizen Kane (1941) as the greatest film of all time in Sight & Sound magazine’s international poll of...