Mirage

Mar 23, 2015 — When we think of film noir, we think of shadowy city streets, often in Los Angeles or New York. But Robert Montgomery’s Ride the Pink Horse, which we released last week, is one of a handful of dark-toned films made...

Nov 10, 2014 — Monte Hellman’s existential westerns take Beckett to the desert.

Oct 27, 2014 — Though he emerged from established stage and screen comedy traditions, Tati invented a completely new filmic language.

Mar 10, 2009 — Akira Kurosawa made Dodes’ka-den (1970) during the most crisis-laden period of his career. He had just spent two years embroiled in an ill-fated venture with the Hollywood studio Twentieth Century Fox to direct the Japanese segments of the World War...

Jan 6, 2003 — With its casually comfortable exoticism, abstruse locale, and beautifully sympathetic anti-hero, Julien Duvivier’s film established a narrative paradigm that persists today.

Jan 29, 2021 — This week sees a new publication, a revived column, and countless hours of conversations about movies.

Nov 25, 2020 — “Yes, life is a dream, but sometimes that dream is a fatal abyss.” Wanda in The White Sheik (1952) I have a vivid memory from the first film-studies class I enrolled in, a class on Italian neorealism, where the weekly...

Mar 16, 2020 — This month we’re reading about Helen Scott, a liaison between Paris and Hollywood; Anna Karina’s novels; William Faulkner’s screenplays; and more.

Dec 11, 2012 — Philip Glass’s experimental operas and symphonic works of the 1960s and ’70s laid the groundwork for his hypnotic Qatsi scores.

Jul 17, 2000 — Designed to steam viewers’ glasses, Roger Vadim’s directorial debut boldly announced the arrival of Brigitte Bardot.