Nov 9, 2018 Critically maligned upon their release, Ingmar Bergman’s only two English-language films show the master’s artistry at its most restrained and its most convoluted.

Jul 17, 2026 This week brings conversations with Jeffrey Wright, John Woo, and the members of three cinema collectives.

May 21, 2026 The Cannes sidebar wraps with prizes for three stories about teenage girls and another about a determined adult woman.

Cannes Openers

The Daily

May 14, 2026 Jane Schoenbrun’s third feature is met with raves, while three other early entries are seeing mixed reviews.

Apr 13, 2026 The Cannes sidebar spotlights first and second features from up-and-coming filmmakers.

True/False 2026

The Daily

Mar 4, 2026 Twenty-one world premieres, several critical favorites from Sundance, and the True Vision Award for Ross McElwee.

Feb 25, 2026 The director of Civic and Now, Hear Me Good talks about how his experience as a first-generation Caribbean American and his love of Chantal Akerman’s short La chambre have influenced his work.

Jan 22, 2026 This visually stunning masterpiece from Kazakh New Wave iconoclast Ardak Amirkulov is one of the few films that looks evil in the eye without flinching.

Nov 13, 2025 The director of Rat Trap and Monologue was an uncompromising artist who helped establish the Indian state of Kerala as a hub of bold political filmmaking.

Aug 25, 2025 In such provocative delights as Jamón jamón and Golden Balls, one of Spain’s most original directors celebrates the sensual pleasures of food and sex while capturing the rapid changes his country experienced at the turn of the millennium.

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