Face

Feb 10, 2003 — The poet Paul Eluard says that to understand my film version of Beauty and the Beast, you must love your dog more than your car. Ordinarily, I would settle for that. However, with so much being written about the film...

Nov 11, 2002 — Continued from Anatomy of a Love Festival - Part One The real turn-on, though, was the music—twenty-two hours of it, divided into solid chunks that usually ran more than thirty minutes. Friday night was the epitome of what San Francisco...

Nov 13, 1991 — Richard Lester’s Help! was the first of a new kind of rock-and-roll movie which altered the shape, face, and form of rock music. Before Help!, most of the rock-and-roll genre movies were simple, self contained films conceived in the narrowest...

Jan 28, 1991 — The following review, one of the most renowned in the history of film criticism, appeared in The New Yorker magazine on October 28, 1972. It is reprinted with the permission of the author, Pauline Kael. Bernardo Bertolucci’s Last Tango in...

The comedian talks about Andy Griffith’s electric performance in A Face in the Crowd, the depiction of childhood loneliness in Me and You and Everyone We Know, and favorite films such as Bringing Up Baby and Menace II Society.

Apr 30, 2020 — Festivals scheduled through August are taking their editions online, while studios and theater chains face off over digital releases. Here’s the latest on the impact of the virus.

May 16, 2018 — Workers and management face off in a French factory, and the reviews are so-so.

Nov 20, 2008 — Author and actor Christa Lang-Fuller married director Samuel Fuller in 1967. In 1981, they founded Chrisam Films, which Lang-Fuller has continued to run since her husband’s death, in 1997. She coedited Fuller’s autobiography, A Third Face, for Random House and...

Mariah Larsson is a professor of film studies at Linnaeus University in Sweden. She is the author of A Cinema of Obsession: The Life and Work of Mai Zetterling (University of Wisconsin Press, 2020). Among her other publications are The...

Thomas Elsaesser is professor emeritus in the Department of Media and Culture at the University of Amsterdam. He is the author of New German Cinema: A History (1989) and Fassbinder’s Germany: History Identity Subject (1996). His recent publications include European...