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Charade

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Essays

Aug 19, 2002 Ronald Neame’s dramedy has the distinction of being the only “feel-good” realistic spy film ever made, walking a fine line between topicality and escapism.

Jun 24, 2002 Oscar Wilde’s play is brought to the screen lovingly and meticulously by one of the great eccentrics of the British cinema, Anthony “Puffin” Asquith.

Cannes 2024 Lineup

The Daily

Apr 11, 2024 Anticipation builds for new work from Jia Zhangke, Francis Ford Coppola, Andrea Arnold, and David Cronenberg.

Jan 28, 2021 Channel Calendars We’re thrilled to be celebrating Black History Month on the Criterion Channel with a lineup that salutes African American filmmaking pioneers like Gordon Parks and Madeline Anderson, spotlights the brilliant career of actor and activist Ruby Dee, presents...

Sep 28, 2011 As a film student at the University of Southern California, new to LA and without connections, Patricia Resnick had a habit of following film trucks, just to see where they’d lead. One took her to Westwood and the set of...

Aug 18, 2010 Before Marcel Camus’ Black Orpheus showed up on American and European screens in 1959, what would later be known as the “art film” came in only a few shades of glum: Bergmanesque existentialism, Japanese samurai tragedy, stories of Italian peasant...

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