The Criterion Collection
Dec 13, 2011 — Just what is it that makes Seijun Suzuki’s Tokyo Drifter (1966) so different, so appealing? The cherubic hero in the neat powder blue suit, who looks like he was torn out of a yakuza pop-up book? That hauntingly cornball theme...
Essays
Oct 24, 2005 — Kihachi Okamoto’s dynamic, intricately madcap movie is a multitoned send-up of samurai film lore.
Jan 9, 2017 — A feast of whip-smart banter, Howard Hawks’s protofeminist take on newsroom politics is the most grown-up of all remarriage comedies.
Essays
Nov 22, 2009 — “The most concrete emblem of every economic cycle is the dump,” writes Naples native and best-selling Italian muckraker Roberto Saviano somewhere near the conclusion of his extraordinary 2006 “nonfiction novel” Gomorrah, a seethingly cogent and literarily constructed indictment of the...
Apr 29, 2015 — Peter Yates's crime drama is a haunting, singular experience, brutal and minutely observed, with a remarkably authentic sense of place.
Feb 13, 2018 — With the scrappiest of means, George A. Romero created not only a landmark of independent cinema but also an indelible portrait of America as hellscape.
Jan 17, 2023 — One of contemporary cinema’s most provocative filmmakers launched his career with three deeply unnerving, deliriously genre-blending portraits of Europe.
The Daily
Dec 2, 2024 — Metrograph presents new restorations of Lino Brocka’s Bona (1980) and Lupita Aquino-Kashiwahara’s Once a Moth (1976).
The Daily
Feb 10, 2023 — We head this week to Germany before and after the war and then revisit gruesome killings in Japan and France.
On the Channel
Jun 17, 2026 — Channel Calendars This month on the Criterion Channel, celebrate the hundredth birthday of the great Harry Dean Stanton, delight in the twists and thrills of our Murderous Melodramas collection, or binge the surreal cult-favorite TV series The Prisoner. There’s so...