The Criterion Collection
Oct 21, 2002 — The Life and Death of Colonel Blimp is one of the great works of art in the history of film, and yet, except for some recent television screenings, this British production is largely unknown in the United States. This is...
On the Channel
Feb 24, 2022 — Next month on the Criterion Channel, we’re pushing the envelope with a series of the pre-Code films made by Paramount Pictures, a centenary tribute to Pier Paolo Pasolini, and a collection of groundbreaking concert documentaries.
In Theaters
Dec 13, 2012 — Repertory PicksThe Museum of Modern Art in New York is holding its first full retrospective of the films of Pier Paolo Pasolini in more than twenty years. Starting tonight and running through January 5, the series will include not only...
Sneak Peeks
Nov 21, 2012 — In his films as well as his poems, novels, and short stories, Pier Paolo Pasolini evinced a love of vernacular speech, often choosing to write in the slangy argots of the working class and the dispossessed. He made his adaptation...
The Daily
Jul 28, 2023 — This week: Stephanie Zacharek’s hundred favorites, Peter Wollen on the British New Wave, and a conversation with Hong Sangsoo.
Short Takes
Mar 5, 2018 — On the anniversary of his birth, we look back on the films of Pier Paolo Pasolini, one of the most radical figures of Italian cinema.
In Theaters
Jan 17, 2013 — Repertory PicksThe Brattle Theatre in Cambridge is heading south this month—way south. The legendary repertory house is kicking off a series called Dead of Winter: Satan on Screen, which ranges from comedy to horror to drama in its selection of...
Essays
Oct 4, 2011 — Pier Paolo Pasolini’s landmark film intermingles the sacred and profane, associating libertines with holy music, the avant-garde of the thirties, and neoclassical and biblical references.
Aug 2, 2004 — The three film’s in Renoir’s trilogy are comic period fantasies in dazzling color, offering a kind of continuous, bustling choreography in which shifting power relations between upper and lower classes and between spectators and performers literally turn the world into...
Essays
Oct 4, 2011 — Pier Paolo Pasolini’s work demonstrates an aversion for the present while simultaneously suggesting the impossibility of escaping it, and thus the need to confront it.