The Criterion Collection
Sneak Peeks
May 29, 2013 — The beginning of Mike Leigh’s new audio commentary track for Criterion’s release of his poignant domestic comedy-drama Life Is Sweet is just too charming not to share here. In these first few minutes, which span the film’s opening credits, the...
Nov 13, 2012 — Moving to Chaucer’s gray-skied England, Pier Paolo Pasolini pushed his trilogy into darker realms.
Sneak Peeks
Oct 16, 2012 — The Forgiveness of Blood is set in a place that will be unfamiliar to most viewers. American director Joshua Marston (Maria Full of Grace) traveled to an isolated, mountainous area in northern Albania to film this tale of a strange...
Sep 18, 2012 — Marcel Carné’s theatrical spectacle set in early nineteenth-century Paris is an operatic work about passion and artifice.
Jul 6, 2012 — Samuel Fuller wrote this extraordinary “interview” piece shortly after White Dog was completed. It appeared in issue 19 of the journal Framework in 1982, with this introduction: “The director of Paramount’s White Dog interviewed the title actor of the movie...
May 15, 2012 — Circumlocutory critic Perkus Tooth sits down with a very patient Spike Jonze to talk gerunds and colons.
Short Takes
May 1, 2012 — The Organizer is a dramatically political statement from director Mario Monicelli. More commonly known for lighter films like Big Deal on Madonna Street, Monicelli created an expression of the necessity of collective action that is both gritty and entertaining. In making...
Feb 14, 2012 — For nearly three decades, Hideo Gosha (1929–1992) made some of the most explosive, artful, and original films in Japanese cinema. Along the way, he also became one of his country’s most established and acclaimed filmmakers. But his reputation in the...
Essays
Oct 25, 2011 — The film is made up of a succession of small visions, observed and executed with apparent ease but thought through with such exquisite care and attention that the experience becomes overwhelming.
Oct 24, 2011 — “For a long time I stayed away from the Acropolis,” says the narrator of Don DeLillo’s novel The Names. “It daunted me, that somber rock. I preferred to wander in the modern city, imperfect, blaring. The weight and moment of...