Up to You

Jul 23, 2014 — Jacques Demy’s miraculous, melancholy musical is the rare film to use pastiche and artifice to go straight for the heart.

Jun 27, 2014 — Did You See This?• The enduring appeal of Charlie Chaplin • Ellen Burstyn, queen of Marvin Gardens • Growing up with Richard Linklater • When Steven Soderbergh talked to Gordon Willis • The Terrence Malick–Andrew Wyeth connection • Meet Mr....

Jan 8, 2009 — The Australian Centre for the Moving Image begins a retrospective of the film work of groundbreaking photographer and multimedia artist William Klein on January 22, and to accompany its fourteen-film program, critic and Criterion contributor Adrian Martin has written an...

Sep 13, 2004 — This oblique strategy can be seen as a self-referential characterization of Slacker itself: it appears to have no struc­ture, to be chaotic (a matter of random encounters), when, in fact, it has a very subtle, extremely well-crafted structure that makes...

May 15, 2000 — Twenty-five years after its first appearance, Bergman’s film of The Magic Flute remains the finest screen version of an opera ever produced. Shot in sumptuous color by Sven Nykvist, and featuring some of the finest Nordic singers of the day,...

Jul 29, 2026 — Film Comment presents a series of works featuring, focusing on, and/or written by the famed critic and novelist.

Apr 29, 2025 — A black-and-white version of Julian Schnabel’s portrait of his fellow artist and friend Jean-Michel Basquiat accentuates the film’s melancholy mood while highlighting the deep commitment of Jeffrey Wright’s performance.

Mar 10, 2025 — The Museum of the Moving Image’s annual showcase of “adventurous new cinema” is on from Wednesday through Sunday.

Jan 14, 2025 — There’s a Delphine Seyrig retrospective on in New York and another will open at the Harvard Film Archive on Friday.

Dec 30, 2024 — Ring in 2025 with this selection of highlights from our past year in publishing.