The Criterion Collection
Jul 8, 2013 — With its marvelous, distinctive camera work, Kenji Mizoguchi’s searing drama is as technically remarkable as it is humane.
Nov 9, 2006 — For years now, Peter has been the public face of Criterion. It’s great to have my partner fielding the brunt of the questions, sitting on the panels, and speaking poetically for all of us. We’ve been partners now for about...
The Daily
Jul 14, 2017 — “There’s the story of RoboCop visiting his house where he’s already RoboCop and he finds out he was called Murphy before, and he finds out where he lived and there’s these kinds of feelings and flashbacks about his wife and...
The Daily
Oct 1, 2025 — With two films set to open next month, Richard Linklater programs a series of French New Wave classics.
The Daily
Sep 12, 2024 — Chime, a French remake of Serpent’s Path, and Japan’s Oscar submission, Cloud, have all premiered within months of each other.
The Daily
Sep 13, 2023 — Early reviewers find that, while the master of animation’s twelfth feature may be hard to follow, it’s impossible to resist.
The Daily
Jun 27, 2023 — Along with revivals and fresh experimental work, the festival presents some of the best films of the year so far.
The Daily
Jan 6, 2023 — We’re catching up with a conversation with Tom Gunning, an essay on the nuclear threat, and appreciations of Jean-Louis Trintignant and Norma Shearer.
The Daily
Dec 14, 2022 — Anthology Film Archives presents a series of films that “are—explicitly or implicitly—reworkings of earlier films.”
Essays
Oct 18, 2022 — Kiyoshi Kurosawa’s hypnotic serial-killer film dives into the realm of the uncanny and envisions the breakdown of Japanese society.